I’m sorry for the lack of pictures in posts of late. Finding good pictures can be really hard, and there are many great excerpts that have no matching pictures. I choose excerpts on a whim (I should probably plan xD sorry!), so sometimes I just don’t feel like hunting for another excerpt that has a readily available picture when I have one in mind that I really want to post. As it is, the last three posts are picture-less D:
Do you guys mind if more posts have no pictures? I’ll try to put out more picture-posts, promise!
The sequel, The Lord of the Rings, much the largest, and I hope also in proportion the best, of the entire cycle, concludes the whole business – an attempt is made to include in it, and wind up, all the elements and motives of what has preceded: elves, dwarves, the Kings of Men, heroic ‘Homeric’ horsemen, orcs and demons, the terrors of the Ring-servants and Necromancy, and the vast horror of the Dark Throne, even in style it is to include the colloquialism and vulgarity of Hobbits, poetry and the highest style of prose. We are to see the overthrow of the last incarnation of Evil, the unmaking of the Ring, the final departure of the Elves, and the return in majesty of the true King, to take over the Dominion of Men, inheriting all that can be transmitted of Elfdom in his high marriage with Arwen daughter of Elrond, as well as the lineal royalty of Númenor. But as the earliest Tales are seen through Elvish eyes, as it were, this last great Tale, coming down from myth and legend to the earth, is seen mainly though the eyes of Hobbits: it thus becomes in fact anthropocentric. But through Hobbits, not Men so-called, because the last Tale is to exemplify most clearly a recurrent theme: the place in ‘world polities’ of the unforeseen and unforeseeable acts of will, and deeds of virtue of the apparently small, ungreat, forgotten in the places of the Wise and Great (good as well as evil). A moral of the whole (after the primary symbolism of the Ring, as the will to mere power, seeking to make itself objective by physical force and mechanism, and so also inevitably by lies) is the obvious one that without the high and noble the simple and vulgar is utterly mean; and without the simple and ordinary the noble and heroic is meaningless.
—J.R.R. Tolkien, The Letters of J.R.R. Tolkien, #131. (Part of a letter intended to demonstrate that The Lord of the Rings and The Silmarillion are interdependent and indivisible.)